The Bluetones @ Middlesbrough Town Hall

The Bluetones in fine form, playing Science & Nature + The Singles

Gig date: 30/11/19

Review written: 19/1/20

Thirteen. That’s how many times I’ve seen The Bluetones. This was gig no. 13. It was good. I knew it would be, as the band were performing the excellent Science & Nature in full. I think Science & Nature is my second favourite behind Expecting To Fly, so this was always going to be a treat.

All of the gig a month clan were supposed to be there, joined by my brother, Mike. Unfortunately, Andrew was double booked and so it was Ste, Mike & I meeting for this evening of entertainment. We headed to the Caribbean themed Turtle Bay restaurant for a bite to eat and a drink. Mike and I had some good meals and decent portions. Ste was the meal loser with a portion size fit for a 6 year old. Part of the portion issue may have been that the chicken was accompanied by a large slice of unexpected watermelon. Odd. Washed down with a can of Jamaican Pale Ale, we headed over the road to the Town Hall. This was the first time Ste and I had set foot in this venue since it’s refurb. It looked modern and impressive.

The merchandise stall was calling me. I knew in advance that they were selling newly pressed copies of the Serenity Now EP on 12” vinyl (previously only issued on CD), but I was also taken by a blue (naturally) Trivial Pursuit (Science & Nature category) themed hoodie. I took them both on, dropping the vinyl off in Ste’s car before settling in to watch the support acts.

Velvet were up first, followed by The K’s. Both band names were troubling to us in this google and social media world. Really difficult to find bands with non-distinct names like this. Both were decent.

Velvet had some good tunes and a decent amount of support in the crowd. There was something about the lead singers vocals that didn’t quite appeal to me, but the set went by quickly.

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I enjoyed The K’s set more. They seemed a good band and I’d consider listening again after the gig.

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The Bluetones took to the stage in scientist themed white coats. They played the whole Science & Nature album in order. Despite this being the advertised theme and the way Mark explained it was going to happen, some of the crowd seemed bemused. Strange. The live renditions sounded great. The Bluetones do seem like a band when are back to enjoying themselves. Mark Morriss is now comedic again in his banter, where once I felt he was becoming acerbic. It might just be how I’m taking it though. At this gig, he was funny, engaging and humble.

My highlight of the Science & Nature run through was, oddly, Blood Bubble. The one instrumental number was played with raucous intent and sounded bloody brilliant. Zorrro, Last Of The Great Navigators, One Speed Gearbox and Emily’s Pine all sounded fresh too, supplemented by the singles. It was interesting to hear the tale of record company discussions around the release of Mudslide. I’d always wondered why it was a mail order only EP release (apparently to avoid the embarrassment of it not breaking the top 40 if released commercially). They took a break after playing through the album, had a change of clothes and came out for part 2.

The second half was all pulled from The Singles collection. Genuine classics were contained within. My one gripe would be that it contained two of my least favourite Bluetones tracks; Freeze Dried Pop (Dumb It Up) and Fast Boy. I’ve never really liked either and was surprised to hear that Freeze Dried Pop was also lined up to be a single (but wasn’t released as After Hours didn’t light up the charts). I know it’s all a matter of personal taste though, and others will love these tunes.

The rest were all highlights; After Hours (love this tune), Bluetonic (classic), Cut Some Rug (perfect), Marblehead Johnson (quality between albums single), Solomon Bites The Worm (crowd livener), Never Going Nowhere (fantastic tune, and my brother loved the mix into Love Is A Stranger), Slight Return (no matter what the band think of it, this is a quality tune) and finally the always closing and brilliant sing-a-long, If…

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The Bluetones even managed to do a marriage proposal on behalf of a man in the crowd. Mark got the lucky lady’s name wrong. Awkward. But all ended well as she said yes.

I saw The Bluetones play Expecting To Fly a number of years back, but missed the Return To The Last Chance Saloon tour (if they did one?). It would be great to hear that in full, to get their classic trilogy played live.

 

Pumarosa @ The Cluny

Andrew & Sarah catch up with the priestess

Andrew & Sarah for this one…18/11/19

Revelled in @pumarosamusic @thecluny tonight. Quite a lovely way to spend a much-deserved date night with @djcurlee – will be passing on my ‘totally in awe’ girl crush on Isabel to step daughter first thing tomorrow 💕

Little Comets @ The Boiler Shop

18 killer tracks from the Little Comets

Gig date: 15/11/19

Review written: 18/1/20 (I really wanted to get this one done at the time)

Who was there?
All AGAM alumni present and correct for the Little Comets. I was really looking forward to seeing one of my favourite bands at this great venue. I wasn’t disappointed.

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Give us some background…
This was my 5th Little Comets gig which is a once a year average since discovering them in year 1 of a gig a month. This is probably the first one since I’ve become really familiar with all 4 of their albums.

Any exciting Little Comets things happen before the gig?
As it happens, yes. The band had just released their first album on vinyl for the first time. Due to some record company nonsense the version released was actually a new recording, but it sounds great and nicely completed my LC vinyl collection just before this gig.

What was the gig like?
Brilliant. I had a feeling that they might play their debut album in full (i’d avoided setlist spoilers). They didn’t, but the set drew heavily from In Search of Elusive Little Comets, with 7 tracks from it. 4 from Worhead (my favourite), 3 from Life Is Elsewhere, 1 from Jennifer and Other Short Stories, 1 from Hope Is Just A State of Mind and 2 more recent releases. I was also expecting all 4 of the recent 2019 “singles”, but we just got the one.
No encore, just a blast through 18 quality tracks. M62 and A Little Opus sounded superb, but they then moved into two from Worhead; Common Things and, my favourite, The Man Who Wrote Thriller. I was completely immersed in this gig, interrupted only a couple of times by a refreshed pint. The crowd were singing along to loads of the tunes – some more unexpected than others. Bridge Burn got a huge reception, before they led into À bientôt. Now that sounded special. My highlight of this quality set. Hunting followed and they ended the set leaving everyone happy with One Night In October, Dacing Song and the excellent 3 Minute Faltz. I’d have happily taken another hour, but it wasn’t to be. We settled for a night cap in Blackbird as the set had finished before 10.30pm.

Any merch?
I grabbed a t-shirt for myself and one for my eldest daughter. Ste bagged a bargain album and couple or EPs for just £5.

What was the support act like?
Who knows. We arrived pretty late in the day having stuffed our faces. I seem to recall settling in to listen and not even managing to take a snap before they left the stage. Heir were the band. Did they sound a little like Little Comets? Possibly.

Any food or drink?
Yep, as noted above, our faces were stuffed with chicken & washed down with a beer at Coop (our regular chicken shack haunt).

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Post script
Worth noting that Little Comets had arranged for everyone (that could) to bring something for local food banks. A great idea in these troubling times.

 

The Tallest Man On Earth @ Sage (Hall 1), Gateshead

The Tallest Man On Earth in concert perfection

Gig date: 4/11/19

Review written 18/1/20

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Ironically, one of my favourite gigs of the year (possibly my absolute favourite of the year) is going to have one of the shortest reviews.

I’d had a really challenging day at work and wasn’t quite sure if I’d make it to the gig at all. There was only Ste & I going, so we agreed to take the stress out of it and just be there for the start of the gig, getting food at home.

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We had from row seats in Hall One of the Sage and took our positions for the support act, Julie Byrne. I don’t have too much to say. The set was nice. Relaxing in an ever quiet setting.

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We grabbed a beer in the interval and then sat down for The Tallest Man On Earth. We had no idea what to expect. I own two albums, but he’s got quite the back catalogue. We didn’t realise he would be on his own on the massive stage, but on his own he was. He leapt onto the stage with bravado and didn’t stop moving from that point on. His stage presence was immense. This one man filled the stage. He was everywhere. He was engaging. His stories were lovely and his connection with the audience was instant and ever-present. He changed his guitar after every single song and only seemed to use any instrument once or twice.

I honestly loved every minute of this gig. I’ve discussed before about not always being in the moment and letting my mind wander. Considering the day I’d had at work, I was amazed there was none of that. Instead I was completely and serenely immersed in this show. I couldn’t take my eyes of the stage and my only alternate thoughts were “wow, this is good”.

At the end of the gig, he even gave out some awkward sweaty hugs to the front row.  Ste came close to a moment he didn’t need in his life, but fortunately the guy next to him took a sweaty one for the team.

I can’t pick out any highlights. I loved it all. Start to finish. Possibly perfect.

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Ste and I both agreed we’d seen something pretty special and then we headed home.

See. I told you it was going to be a short review.

I got a setlist too.  Here’s a picture of it in my car.  It was a wet night.

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