Mark Morriss @ 12 Bar Blues, Barnard Castle

An intimate acoustic gig from the fantastic lead singer of The Bluetones in a small market town. Noisy crowd though.

This was the first time I’ve seen an established artist play in a pub environment.  It was both fantastic and strange in equal measure.

I was invited by my brother in law (Richard) a few months back, as his local was putting on a Mark Morriss gig.  Tickets sold out in no time as the place only has a capacity of 70 or so.

The timings of the show were shrouded in mystery as Richard was told doors at 6pm with show at 7pm.  That all sounded wrong as there was no support and it didn’t seem likely that Mark would be on at 7pm.  It’s just not rock n roll.  This tight timescale was made trickier by the fact that we’d managed to get a last minute ticket for Ste as one of Richard’s mates had pulled out.  Ste sped down from Newcastle in an attempt to get there for 7.  We wolfed down a bucket of chicken from KFC and headed for Barney.  With the Appleby horse fair due imminently, the road there was awash with travellers seemingly out to ensure we missed the 7pm start.

7.15pm and we roll into Barnard Castle town centre.  We spot the pub and note that it doesn’t appear busy.  Arriving through the doors, we note that there is less than 10 people in.  Clearly Mr Morriss was not about to go on stage.  An Amstel for me and several Black Sheep bests followed for Ste.  Rumours were that The Quill had gone for a bite to eat and the pub slowly filled up…as did many peoples glasses.  As The Quill took the stage at a very reasonable something after 9, the audience were somewhat merry.  Merry and loud.  Very loud.  They really didn’t stop being loud.  Many people seemed to lack any kind of understanding that they were at a gig.  It was extremely frustrating that such a lack of respect was being shown.  Anyway…Mark Morriss tried his best patter and attempted to engage the audience.  Those of us who paid full attention and were treated to a really enjoyable acoustic set.

Mark made it clear from the beginning that this was a solo show and as such he’d take it in turns to play a solo tune and then a Bluetones tune.  That pattern was essentially maintained all night.  He’s got three solo albums out (2 original compositions and one covers album) and there’s a fourth on the way from Pledge Music.  He played two from each of Memory Muscle and A Flash of Darkness.  A further 2 solo tracks were played, presumably from the new album due out on 16th June.  The new stuff sounded good as did every solo track he played, even if I’m not as familiar with them.  7 Bluetones tracks were played in all.  Each one a mini-classic; 3 from Expecting to Fly, 2 from Return to the Last Chance Saloon, 1 from Science & Nature + Marblehead Johnson as the ETF era non-album track.  Richard requested Solomon Bites The Worm, but was disappointed to hear that Mark couldn’t play that one, after all he’s only the lead singer!

I really enjoyed the gig, but I’ve got to come back to the atmosphere in the place.  At times, it was hard to hear anything other than people talking.  You could see Mark was getting frustrated, commenting at the end that it was great to be here to “listen to all of your conversations”.  Even a classic This Is Spinal Tap reference fell flat.  “It’s great to be here in…” *turns guitar over to read the back* “…Barnard Castle”.  Oh well, some nights you have them eating out of your hand and others are like this.

Don’t let that put you (the reader) off.  The new tracks will be well worth a fully fledged listen.  Click here and reward yourself with a pledge for one of the fantastic goodies on offer.

At the end of the gig, Richard managed to get his picture with Mark (below).  On another night I might have done the same, but this didn’t feel like one of those sort of nights.

Thank you The Quill.  Your performance was great and was very appreciated by some of us.

The Slow Readers Club @ Think Tank?

The Slow Readers Club first headline gig in Newcastle was a definite success.

Why did we end up here? At the start of February, Ste suggested this one as he’d heard Don’t Mind on the Steve Lamacq Round Table, and liked it.  I’d never heard of The Slow Readers Club before, but after a quick play on Spotify I quickly agreed.  Unfortunately Andrew couldn’t make it tonight.  If you want to know more about this band then click here.

Was it any good?  It was fantastic.  I’d had Cavalcade on fairly heavy spotify rotation, but the whole set sounded great.  The venue is really good for an act like this who connect well to the audience.  The lead singer, regularly catches eye contact with members of the crowd singing along and seems to sing-a-long with them.  Highlights for me were the first 4 songs from Cavalcade; Start Again, I Saw A Ghost, Forever in Your Debt & Plant the Seed.  The latter really got the crowd (who were in good voice throughout) going.  They noted that they don’t do encores (“never got into the habit” and “it’s a hassle getting off a stage like this”) and so informed the crowd that, without leaving the stage, the title track of Cavalcade was actually the start of the encore.  I’m never sure what I think about encores anyway, but this approach worked well!  I’m sure they get sick of comparisons, but you can’t help but hear Interpol and Editors when you listen to this band.  That’s a clear compliment.  I didn’t know about TSRC before February, but I’m hoping to hear a lot more in the future.

Did you get any merchandise? It was inevitable prior to the gig, that if there was a vinyl on offer that I’d be getting one.  Each of the band was kind enough to sign it too (pictured at the foot of this review).

What were the support acts like? Denature opened the night shortly after 7pm.  Their 7 song set, including a couple of covers, was decent.  They are a local North East band, so I wish them well.  SKIES were up next & I really enjoyed their set.  I’d given a brief spotify listen on the morning of the gig, but knew very little going in.  They were really lively, enthusiastic and played with barely a pause for breath.  I suspect having the backing track played from a laptop presents some challenges, but it seemed to work well.  This is a band to watch out for and you can start by clicking here.

What else happened?  We were stood next to a man that didn’t watch any of the gig, but instead faced the speaker stack the entire time.  It seemed strange, but I sort of hope this was his way of feeling and absorbing the music.  In other news the band noted that one of the crowd (Debbie) had followed them on their whole tour and as a reward dedicated  a song to her.  Nice touch.

Food & drink? It almost feels like this blog is sponsored by Brewdog as for the 3rd gig running, this was the ale of choice.  By the way, it’s not sponsored, but Brewdog if you’re reading…;-)  We started out at the Brewdog bar in Newcastle and had a nice couple of pints of LIVE East Coast Crush.  We then had a fantastic Fat Hippo burger and Fat Hippo IPA in the Fat Hippo Underground.  We continued the Brewdog theme at Think Tank? with cans of the marvellous Dead Pony Club.

If you haven’t heard anything from The Slow Readers Club then give Cavalcade a listen and if you’re looking for something else new then check out SKIES.

This slideshow requires JavaScript.

fullsizeoutput_ae2d
TSRC Poster

Ste and I feature on this one…(third picture at the right)

The signed Cavalcade vinyl
IMG_9411

Cattle & Cane @ Hit The Bar, Middlesbrough

A “secret gig” from a top local band. Marvellous.

Secret Acoustic Show Tonight – You Are Invited!
Hi Pledgers,First of all, we would like to say a huge thank you to everybody who pre-ordered ‘Mirrors’ ❤️ We hope you’re all enjoying it.
We couldn’t do what we do if it wasn’t for your support, so as a little thank you, we’re going to play a secret acoustic show in Middlesbrough tonight…

How very exciting!  Having not been to a secret gig before, I’ve now been to two in as many weeks (Turin Brakes last week).  This one was truly “secret”.  A little tweet was sent out from Cattle & Cane on Saturday to indicate it was coming.

This was then followed up with details from Pledge Music around lunchtime on Monday. The venue was confirmed as Hit The Bar in Middlesbrough.

I went along with my brother arriving a little before 7pm.  Cattle & Cane were on shortly after 7pm, performing an incredible acoustic set to a raptured audience of 60 or so pledgers.  I’ve seen Cattle & Cane 3 times before (at Deer Shed 6, Deer Shed 7 and The Empire), but this was something special.  An intimate venue with a crowd that were very happy to be there.

The first seven songs of the set were entirely from the new album, Mirrors.  They opened the set (after a brief pause for a siren flying passed) launching into the beautiful Love On Your Hands.  All the songs from Mirrors sounded, as expected, superb.  Tonight We Dance (Cleveland Hills) was performed off the stage amongst the crowd.  Joe played Paper Man, which apparently doesn’t get much of a live outing.  The set finished on the singalong Fool for You, before they took the briefest of pauses.  A rousing applause followed and without exiting the stage they performed another 3 tracks from their back catalogue.  The delicate start of Infant Hercules was briefly interrupted by the sweet sounds of a very loud hand dryer in the toilets, but soon resumed to perfection.  The crowd were in fine voice for this one.

My brother didn’t know much about the band beforehand, but, by the end of the night had bought the vinyl from pledge music.  The beer was great; Brewdog: Dead Pony Club Session Pale Ale, followed by a fairly tasty alcohol free equivalent Brewdog: Nanny State.

As a bonus on the night the band had just heard that the album was sitting at no. 53 in the midweek album charts.  Lets hope it stays there by Friday.  It was a privilege to be part of this night.  Thanks to the band for inviting me.

You can buy the album from Pledge Music, Amazon or iTunes or get yourself down to the marvellous Sound It Out Records in Stockton.

I managed to sneak on to the photo for this tweet.  I almost look like a band member!

My brother & I both made it on to this photo…

Take That @ Metro Radio Arena

Manc man-band deliver belated Christmas present

I still remember the sinking feeling shortly after hitting the “buy” button. Was that really £398 I’d paid for two tickets to see Take That?

Tickets to see Take That were suggested as a Christmas present idea. Having procrastinated for too long and missed the regular scramble for tickets, I resorted to a secondary ticketing website. After spending an age comparing and contrasting different seating options and prices on each of the sites, I settled on my choice. I continued with purpose to the payment screen, acutely aware that the clock was ticking and I may lose the prized tickets if I delayed. I clicked “buy” and sat back, quietly satisfied with myself.

Hang on, was that not supposed to be around £290? Undo undo undo! Where did the £82.38 “booking fee”, £9.95 delivery fee and £16.48 VAT come from? You swines! Can I return them? “It’s not possible to cancel or exchange tickets once a purchase has been made as orders are considered final. If you cannot use the tickets you purchased and there is still time before the event date, we advise you to re-list them by clicking on the “Sell” link on the event that you have tickets for.”

So the moral of this tale is to always read the total before you click “buy”. And that secondary ticketing sites are the work of the devil.

Christmas arrived and a print-out of the confirmation email had to serve as the gift.

A few months later and the gig finally arrives. A nice meal beforehand at George’s Great British Kitchen with a bottle of Haviestoun Bitter & Twisted.

All Saints provided the support and did a nice little set encompassing all of their big hits from the 90s. Gone are the cargo pants but the synchronised shimmying and striding remain the same. They finished with Pure Shores which sounded great.

The oestrogen levels were palpable as Take That prepared to take to the stage at around 8.30pm.

The gig was performed “in the round”, so all parts of the arena had a decent view. The band emerged separately at opposite ends of the arena and made their way down narrow gaps in the crowd to the stage, whilst performing opener Wonderland.

Throughout the show there was constantly changing scenery, lighting and projected images and a seemingly endless stream of dancers and performers. There was some loose concept around the performance (which went over my head) interspersed with spoken word interludes. The band themselves sported some unusual clothing lines; Mark was rocking some high heeled boots to give him an extra lift, Howard sported some MC Hammer clown pants in a range of colours, Gary was no-nonsense.

The music spanned their career but mostly concentrated on their material from after their rebirth as a stadium indie/electro pop band. The energy levels barely dropped throughout the set, only slowing slightly when a tabla player joined the band for an acoustic medley section in the middle of the set.

The light show for The Flood was particularly impressive (should have shot the video below in landscape). They finished with Never Forget and Rule The World, with mobile phone lights aloft around the arena.

It was impressive stuff – more of a theatrical production than a gig in many ways but with tickets priced at £95 (face value) you want to see something special. All in all, a really good evening’s entertainment and well worth £398 of hard earned cash (hmmm). Next time I really must remember to be on the ball when tickets go on sale.

Turin Brakes @ 100 Club, London

Quite probably the best gig I’ve ever been to.

This was originally a secret gig, available only to those who ordered the planned Source Years vinyl box set.  Unfortunately the box set was cancelled, but Clare and I re-purchased gig tickets and took a trip to the capital.

Turin Brakes have been one of my favourite bands since The Optimist LP was released in 2001.  I own an extensive collection of Turin Brakes vinyl & CDs (68 items according to my discogs page) and had seen them live 15 times before this gig.  Clare came down the aisle to Fishing for a Dream and one of our wedding tables was named after The Optimist LP.  What I’m trying to emphasise here is that I’m a big fan of this band.  So is Clare.  The reason that’s so important is that I need to stress how good this gig truly was.  Despite a strong sense of loyalty and emotional attachment to this band, I feel I can reasonably say that this is probably the best gig I’ve ever been to.

We weren’t quite sure what to expect from a “secret gig”.  The doors were at 7.30pm and for the first time ever, we actually arrived a little early and queued outside on Oxford Street (in front of Ann Summers, no less).  That meant that we got right to the front, centre stage, where Olly’s mike was set-up.

The beer was great, if not eye wateringly priced (but then it was London).  I had 3 nice pints of Brewdog: Dead Pony Club Session Pale Ale.

The venue was small a wide, with the widest stage I’ve ever seen in a venue of this size.  300 capacity, apparently, and this place certainly has some history.

The support came from Tom Speight.  Tom gave a great performance, spending one song amongst the crowd bathed in smartphone lights.

Turin Brakes wasted no time coming to the stage after Tom departed.  What followed was a truly tremendous Source Years spanning setlist.  We’d been promised a set composed of songs from the first 4 albums and we weren’t disappointed.  The setlist was stuck on the monitor just in front of me, so I was trying to make sure I wasn’t looking as I didn’t really want spoilers!  They opened with a rip-roaring version of Blue Hour and didn’t let up from there.  The band seemed happy to be playing a great mix of songs which included many, that I suspect, they haven’t played in a fair while.  They played 6 from both The Optimist LP and Ether Song, 5 from JackInABox, 2 from Dark On Fire and 1 surprise new one.

They joked well with the audience throughout, suggesting they probably knew everyone there.  Midway through the set, Gale took lead vocal on Full of Stars (from Ether Song) and much amusement followed as after an aborted start, Gale noted that he’d forgotten the first line.  It was proposed that someone check the awesome fan made Ether Site for the lyrics, but the right ones eventually flowed.

Forever was noted as several couples wedding songs (someone behind us shouted that it was theirs) and the guys noted that Future Boy was written when they were 16!  My personal highlights from the main set were; Dark On Fire, State of Things, Last Chance, Fishing for a Dream and Feeling Oblivion.  After playing 14 classics, they went off for a very brief break before the first encore.  Red Moon, Rain City and Underdog (Save Me)…wow!  Another encore followed with them playing Ether Song, before giving the crowd a taste of things to come.  The new song was called Tomorrow and sounded great – it had a pop feel to it in the vein of Keep Me Around.  The closer, Slack, meant we were guaranteed to be sent home happy.

Why was this my favourite gig?

  • An amazing setlist spanning some of my favourite albums
  • Live performances of TB songs that I haven’t heard in a long time (if at all)
  • A band that seemed like they were having a great time
  • An audience that definitely was
  • An intimate venue with great acoustics
  • Front row position throughout with my beautiful wife
  • Setlist, signed posters and a picture with the band

Essentially this was a culmination of 16 years investment in a band that I love.  I could think of no better way to spend a Saturday night.

Merch:  They had vinyl copies of JackInABox on sale on the merch store which was typical as I recently picked up a second hand version of that.  I picked up a couple of posters of the most recent albums and Clare (being the brilliant wife she is) got them signed for me and asked Gale if we could grab a quick photo.  I bussled my way passed the crowds and got a great photo.  Olly complimented my Ether Song t-shirt (it’s still in top condition considering it’s about 14 years old) and I proceeded to make a cringeworthy comment, repeating a recent twitter reply I’d sent to him about Shaun of the Dead.  Oh well, that was the only thing that I’ll regret in an amazing night that will live long in my memory.

Thank you Olly, Gale, Eddie & Rob for a fantastic night.  Turin Brakes deserve a bigger audience, but Clare and I felt privileged to be part of a small one on Saturday night.  Well worth a trip to London.

This slideshow requires JavaScript.

IMG_9312

The offending cringeworthy Twitter banter. Fine in tweet form, but why I felt the need to repeat it is beyond me. Olly gave it the response it deserved *brief pause* “nice”.

tweet

Turin Brakes Setlist 100 Club, London, England 2017, The Source Years [

Haley Bonar @ The Cluny

Decent gig from the main act. Horror show from the support.

How we chose it: random pick. No obvious gig choices in April, so we gave Spotify a spin for all the reasonably priced choices thrown up by Songkick.

Venue & crowd: The Cluny is always good if not a little loud at times. Volume was good tonight & the crowd was plentiful and very respectful.

Food & beer: decent local brew (Stronghold, Wylam Breweries) with a standard range of Cluny burgers.

Attended by: Chris, Ste & Andrew

Support act: Michael Nau – Not feeling this bloke. Sounded like a bad Josh Rouse with poor tuneless, samey, drab songs. The drummer looked like Napoleon Dynamite. That was the best part.

Main act: Haley Bonar. Good stuff. Played a good set. Not really that familiar with her stuff, but guessing most came from her last few albums. Covered Whole Wide World by Wreckless Eric as part of the encore. All in all pretty impressed.

Merch: non purchased.

@cwblueroom tweet



Laura Marling @ The Arc

No support act for this one.  Just Laura Marling and an acoustic guitar in a fantastic sounding, but boiling hot, venue.  I suspect she regretted the massive woollen top she was wearing.

All contributors were present for this one.  We lived it up with a KFC prior to the gig.  I was left flat having not been offered to have my burger towered (Ste was offered and partook in this amazing addition).  We had a swift beer at The Arc – Hop House 13, I think.

Tickets were bought well in advance as we’re all fans.  However, despite Laura Marling being 6 albums into her career, this was the first time any of us had seen her.

Laura started 8.30pm on the dot and played until about 9.45pm.  The set was really good with 4 from Semper Femina & a good spread from the rest of her back catalogue (1 from Short Movie + 1 from the Director’s Cut of that album, 5 from Once I Was An Eagle, 1 from A Creature I Don’t Know, 4 from I Speak Because I Can, 2 others & nothing from Alas I Cannot Swim).  The audience was ridiculously polite (barring one or two exceptions).  I’d personally have liked to have seen her enjoying herself more (1 or 2 smiles cracked), but her voice was sensational and the songs spoke for themselves.  She ended on Rambling Man, making it clear in advance that there was to be no encore…

No merch was purchased, mainly because the mark-up was eye-watering.  £30 to £35 for the new album on vinyl depending upon which version you wanted to buy.  Ste had got the limited edition double vinyl for £20 just a few days earlier from a local independent record shop.  Surely it should be cheaper when you cut out the middle man?!

You can listen to Semper Femina on Spotify here