Adem @ The Cumberland Arms

Adem produces a beautiful performance, in an intimate setting, on a snowy night in Newcastle

Advertisements

In attendance: all three of the gigamonth collective.  Andrew, Ste & I.27709516_1484636471644835_3309849123319611996_o

We’ve been wanting a Cumberland Arms gig for a while.  None of us had been before and it was obviously going to be an intimate venue.  We missed out on tickets for Willy Mason, but soon spotted the Adem gig.  Andrew had been a fan since the

first album, way back when. He’d introduced Ste to Adem.  I

hadn’t heard anything by him prior to booking this show.  I gave the latest album, Seconds Are Acorns, a listen and really enjoyed it.

It was a Saturday night, so became a good chance for some food out and a few drinks.  We started at the Tyne Bank Brewery and, before Andrew arrived, Ste and I played some table football and table tennis, reliving our youth.  Some tasty food was had at Kiln.  A few nice beers were consumed on the night and at least one dodgy one; smash fusion, beaver town neck oil, summer breeze, salty kiss…to name a few.

Pete Dale was the support for Adem.  We didn’t catch much of his set as we were getting drinks downstairs.  The Cumberland Arms is a small old school pub with an intimate IMG_2308room upstairs with a cool atmosphere.

Pete sounded in the vein of Billy Bragg.  A few of the crowd seemed familiar with his stuff and you could see Adem watching him amongst the, initially, small crowd.  You don’t often find that and it was nice to see.

When Adem took the stage he noted that he’d been asked to play this gig and that it was one of only 2 on the tour.  The other in Glasgow.  What followed was a really intimate and completely beautiful gig.  I’m not overly familiar with his tunes (as noted above), but I was captivated by them all.  I was stood right at the front of a polite, but respectful and enthusiastic audience.  I’m never good estimating numbers in a venue, but there can’t have been much more than 80-100?

The set spanned all 4 of his albums and a lovely Radiohead cover version.  I don’t have a specific set highlight, although Snow in April was pretty cool and apt (it was March, but see below).  I’m not sure what Adem has lined up next.  He hinted at a new album.  I hope so as I can see an Adem album nestling nicely in my collection.  There was some vinyl on sale on the night.  We were all short of cash and so threw our change Ste’s way and he picked up Seconds Are Acorns and a mini-chat with the man himself.  We should have had a Sharpie to hand to get it signed…!

Adem Setlist Cumberland Arms, Newcastle, England 2018

IMG_2306
A rare photo of Andrew, Me & Ste (L-R) from one of our gig nights.  “Snow in April*”  *March

 

Pumarosa @ The Cluny, Newcastle

Priestess, you dance, you dance, you dance…

It would appear that this was the final gig of the year with all three of us in attendance.  We managed 10 as a threesome (threesome+ at times) this year which isn’t bad going.  This was, ridiculously, my 24 gig of the year with at least one more still to come.

What was it like? Pumarosa were really good.  Ste & I caught them at Glastonbury earlier this year, but didn’t know much about them then.  They were good that night, but tonight was quality.  I’d been giving the album quite a hammering of late and that helped to ensure I was familiar with virtually all of the set.  Isabel Munoz-Newsome fronts the band and seemed to be having a great time all night and this always improves my enjoyment of a show.  She was a very engaging stage presence with a great dancing style and gorgeous vocals.

They came on stage promptly at 9.30 and breezed through a set which consisted of the entirety of debut album, The Witch, with an added cover.

Dragonfly, Lions Den & Priestess were all highlights for me, but highlights in a set full of them.  The album is most definitely in my top 20 of the year, and is likely to be a vinyl purchase at some point in the new year.

Pumarosa Setlist The Cluny, Newcastle, England 2017, The Witch

IMG_1458IMG_1449IMG_1455

What about the support act?  I’ve honestly never seen anything like it.  Vïsta was his name.  Just one guy on stage with a computer.  When we arrived in, he was essentially running on the spot in sports gear singing along to a backing track.  My initial reaction was intense amusement and at one point I was crying laughing.  When we decided to stay, after watching him drawing on his t-shirt (which subsequently went up for sale?), it actually became a pretty compelling watch.  It could certainly be considered the most unique and interesting support of the year.  As he noted, it’s Vïsta, with a double dot on the i (this was what he was demonstrating on his t-shirt), if you want to check him out.  Probably worth it.

What about food and drink?  We normally just have food in The Cluny, but decided to venture elsewhere.  Just up the road as it happens.  Arch 2 brewpub & burger kitchen.  Burger and a beer for £6.50.  Andrew and I had an awesome Wolf Blonde and Ste had a Southern Cross.  The burger was excellent to go with the excellent pint.  Unfortunately it was a bit chilly and we noted that this probably should be a summer venue.  Slightly hungry still after just a burger we decided to head to the Cluny for pudding  Waffle and ice cream.  Sounds good, only the waffle was disappointingly cold and tough work.  We smashed it though and washed it down with a hot coffee (ice cold coke for Andrew – crazy Kid).

If you don’t know Pumarosa then check out the album, or start on Priestess.  I think you’ll be pleasantly impressed.

https://open.spotify.com/embed/track/1B9GNB1zXF2ZcDeYJsRA2n

Wolf Alice @ O2 Academy, Newcastle

Wolf Alice: Beautifully Unconventional

Wolf Alice have become one of my favourite bands from the last few years.  Don’t Delete The Kisses is one of the best songs of 2017 and I picked up the green vinyl edition of Visions Of A Life without hearing much of it.  We bought tickets for this one well in advance of the gig and it didn’t disappoint.

IMG_1300

When I left the gig the main thought in my mind was:

you-guys-really-wail

Wolf Alice, do ethereal quiet to jaw dropping shout loud banshee screaming within the blink of an eye and it’s incredible to behold.  I probably generally prefer their more ethereal sounds, but it’s all quality.

The setlist went something like this:

Wolf Alice Setlist O2 Academy Newcastle, Newcastle, England 2017, Visions of a Life

We had seats on the balcony for the night and that meant the photos weren’t great, but the crowd looked a little insane below, so was pleased to have a seat!  I think I’ve possibly got to that age where a seat feels more civilised.

There were loads of set highlights but I can’t look far beyond the “singles”.  The mirrorball brought another sparkling element to the beauty of Don’t Delete

IMG_1301

The lighting at gigs these days is getting very impressive.  At times dazzling, but always unique from show to show.  This was now different with a three tier light going in straight lines across the stage.  Visually spectacular in a small venue.

 

There wasn’t a huge amount of dialogue between band and audience, but that didn’t matter.  A large volume of the crowd knew every word and sang along throughout.  Some dodgy timed handclaps from the audience did little to diminish the quality of encore opener, Blush and following Giant Peach we all went home happy.  Ears ringing.  But happy.

There’s some better photos of the gig on the O2 academy page here.

What were the support acts like?  I really enjoyed them both.  Superfood probably edged it for me.  Sunflower Bean, from New York (as the lead singer mentioned numerous times) were also good though.

IMG_1290
Superfood
IMG_1291
Sunflower Bean

Who was there?  Ste & I for the whole night.  Andrew joined us a couple of songs into Superfood’s set and so there wasn’t too much opportunity to catch up.  For the gig itself we were also joined by one of Ste’s friends.

Food was from coop again.  It’s always good (as is the beer), but perhaps we should be more original when we go to the O2?

 

Tom McRae @ The Cluny, Newcastle & The Wardrobe, Leeds – 2nd & 3rd October 2017

Two stunning evenings in the company of Tom McRae

Tom McRae has released 8 studio albums, numerous live albums and demo / b-side collections.  I first heard of him on the short-lived music channel, The Amp.  I saw some infomercial type interview about Just Like Blood and was then hooked.

The Cluny

The last time I saw Tom was at The Sage.  It was a serene performance ruined at times by a drunk woman singing louder than Tom.  Andrew joined me that night as a Tom McRae virgin, as Ste couldn’t make it.  The Cluny gig was the 6th time I’d seen Tom live (although one was an in-store performance).  Ste had been with me for 4 of those.  I’m pleased to say that both Andrew and Ste were with me at The Cluny for our first proper gigamonth (proper includes essential ingredients; just the three of us, a pint, a chat and some food) since Haley Bonar in May.  The food (The Rumble Po’ Boy Jumble!) & beer (Andrew had a Wylam DH Table Beer and Ste & I had the space in between…or something like that) were up to the usual high Cluny standards.

Support act: IMG_0924Lowri Evans opened the evening supported by Lee Mason on guitar.  I enjoyed the set, which included a Welsh intro to a Welsh language song.  It was nice to hear little anecdotes and stories behind the songs spread throughout the set.

Tom McRae: Tom took the stage at about 9.30pm.  Totally unassuming.  He slowly ambled onto the stage and picked at a few guitars before letting Dave know he was ready to start.    I was instantly transfixed in the performance as Tom ignored the guitars and opened with an a capella version of Mermaid Blues.  Simply amazing.  That was soon followed by my favourite song of his latest album (album; Ah, The World! Oh, The World!), Show Them All.  Tom performed using a range of acoustic guitars, an electric guitar, a couple of harmonicas and a piano.  Every song was stripped back and completely beautiful.  Show Them All & Summer of John Wayne were both acoustic before the only use of the electric guitar on Won’t Lie.  Won’t Lie was the first of a number of audience participation songs.  The was a respectful and quiet hush from the crowd throughout, but every opportunity to get involved was taken with real intent.

2nd Law followed on piano.  Achingly heartfelt.  Next up was How The West Was Won which transformed into a cover of Free Fallin’ by the late, great, Tom Petty.  Tom Petty had died a short time earlier and his passing clearly affected the thoughts and performance of Tom.  When Runnin’ Down A Dream came on the PA after the gig, it sounded amazing and very poignant.

The High Life provided another opportunity for “angry” audience participation and Tom started taking some requests, checking in with his little red book every once in a while.

Everything seemed so relaxed.  Tom commented that the lack of a band meant it could be that way.  No need to rehearse.  Take it as it comes.  Sao Paolo Rain was sensational.

Tom seemed to warm up his on stage patter as the night went on, revelling in the recent life transforming nature of having a song covered on the Norwegian version of The Voice.

Tom indicated a new-found purpose to performing.  The world is so screwed up at the moment, that if he can just depress his audience enough during a gig, then the world might not seem so bad in comparison when they leave.

At this point in the gig, I was completely absorbed.  When he was taking requests, I wasn’t in the least bit compelled to make one.  I don’t care what he played.  He could have played anything from his back catalogue and I’d have been happy.  Yes, I have favourite Tom McRae tracks, but I didn’t need to hear them tonight.  I’ve heard them before and was just wanting to be taken away by whatever was next.  It Ain’t You, Expecting The Rain, For The Restless and Ghost of  a Shark were next.  Ghost…bled in to Please before My Vampire Heart.  None of This Really Matters was the penultimate song and only one of two played from the next album (which I’d have been happy to hear in it’s entirety).  He closed with One Mississippi.  An encore was not needed.  Lights up.  Tom Petty on.

fullsizeoutput_ba26

I’d come to gig clutching 4 of Tom’s albums to be signed, hoping he’d be out before or after the show.  I already had 4 signed albums, so was hoping to complete the set.  He kindly obliged and stopped for a serious selfie.  I left very happy.

Tom had arrived at the gig following an epic journey.  He delivered a fantastic performance.

I left the gig thinking that this was the sort of performance I’d like to see again.  I wondered where else he was playing, but figured I was unlikely to go to another gig on this tour.  I’d never done that before.  Never been to another gig by a band or artist in the same tour.  Ste and I had recently discussed whether this was something we could see us doing.  We thought it unlikely.

I listened to a bit more Tom on the way home (From The Solo Lands) and thought, what if?

The next day I was in Rotherham with work.  I was taking someone with me.  At 7am they let me know they weren’t well.  Tom was playing in Leeds that night.  Well, considering I’d already travelled down, it would be rude not to.  Ticket booked.  Night two.

The Wardrobe

There was no Andrew & Ste.  I arrived in Leeds at about 5.30pm.  3 hours to kill.  My phone wasn’t going to have much battery left!  I had a nice pint of Wardrobe Pale Ale and a burger and headed downstairs to watch Lowri Evans (this time solo) at 8.30pm.  Another enjoyable set, made even better by the previous nights familiarity.

Tom joined us on stage at 9.30pm and after some guitar lead issues, he opened again with Mermaid Blues.

I was right at the front for this one.  There was a small change to the start of the set with For The Restless replacing Summer of John Wayne.  Tom described it as the best opening of set that he’d done for some time.  Who am I to argue?


The set started to change as the requests came in.  Sao Paolo Rain was the first request, at the same point in the set as at The Cluny.  I shouted for Walking 2 Hawaii with several others and that followed.  Simply stunning.  Possibly my favourite Tom song.  This version was incredible.  Simple he said.

Human Remains was another audience shout which really appealed to Tom and this was followed by It Ain’t You.  Tom then spotted a “hole” in the audience and unplugged his guitar and took a trip to the centre of floor and performed Bloodless.  The strict curfew was looming and so previous night set closers; None of This Really Matters and One Mississippi followed.  Ghost Of A Shark was then sneaked in under threat of fine and the set was closed with Free Fallin’.  Tom dedicated the night to Tom Petty.  Rest In Peace.

Ramshackle. Heartfelt. Meandering. In all the best ways. Thank you, Leeds. And all who are travelling to multiple shows! #dave #dave #dave

— tom mcrae music (@tommcrae) October 3, 2017

I travelled home, pleased to have experienced two incredible nights.  I was pleased with my spur of the moment decision and thankful to a supportive wife for not complaining!

I’d completely immersed myself in Tom’s back catalogue before The Cluny gig, listening through all the studio albums and most of the other collections.  I normally respond following a gig, by stopping listening to the band or artists for a while.  This is not one of the those responses.  Ah, The World! Oh, The World! is a stunning album, that gets better on every listen.

Tom McRae Setlist The Cluny, Newcastle, England 2017

Tom McRae Setlist The Wardrobe, Leeds, England 2017

Ryan Adams @ The Sage, Gateshead

Can Mr Snow please report to the stage door…

Ste introduced me to Ryan Adams around the time of Gold.  I loved that album and subsequently picked up Heartbreaker and then committed to investing in each album going forward…to a point.  Love Is Hell Pt.1 is an awesome album.   I continued enjoying the releases (Pt.2, Demolition, Rock n Roll, Cold Roses) through to Jacksonville City Nights, which I didn’t enjoy.  I haven’t been back to it for a while, but it put me off.  I picked up 29 and Easy Tiger and then stopped.  I didn’t give the next few much of a chance until Ryan Adams was released.  I enjoyed that, but didn’t put in too much time.  Prisoner then followed and something changed.  I know it’s been critically well received, but I mean something changed with me.  I wanted to listen to it.  Perhaps because my friend and workmate, Laura, is a huge fan.  Perhaps, because I caught Ryan at Glastonbury in 2015 and loved the set.  Perhaps, because I’m in love with music again.  Or perhaps because it’s just so damn good.

The show on Sunday took place at The Sage in Gateshead.  I feel privileged to have such an amazing venue on my doorstep.  Yes, at times, it can be a little pretentious and the atmosphere can feel a bit stilted, but the acoustics are amazing and the setting is breathtaking.  On Sunday, there was no pretentiousness, just a quality rock and roll show.

Ryan made pretty regular references to Kiss throughout the night.  Kiss aren’t / weren’t quite as big in the UK as the US, but you could tell he was channelling the rock god in an alt. country style.  V-shaped guitar and all.

fullsizeoutput_b999

The set was a little over 2 hours, powering through 23 songs with no encore.  The only breaks taken were for a few anecdotes and some lengthy end of song wig-outs.  Ryan noted a few times that he was feeling “low energy”.  If this was the case, it didn’t show.  He opened with the awesome Do You Still Love Me and proceeded to play; 7 from Prisoner, 3 from Easy Tiger, Heartbreaker & Cold Roses, 2 from Gold & Love Is Hell and 1 from Ashes & Fire and Ryan Adams and 1 new one (Tired Of Giving Up).

fullsizeoutput_b994

I mentioned the anecdotes.  These were long, but they had a pay-off and I couldn’t help but like him a bit more after each one.  The was a fascinating tale of “Every Pirate” from an early career performance in Newcastle and another sobering tale for us all on the dangers of consuming a full bottle of Robitussin.

It’s of no surprise that the Prisoner tracks stood out for me as did those from Heartbreaker, but it was When The Stars Go Blue & Breakdown that stole the show.  When The Stars Go Blue was complete with a mirrorball and was quite possibly perfect in every way.

The set was made very atmospheric throughout by a smoke machine pumping out low levels to maintain a smokey mood.  At one point I turned to Andrew and commented that the smoke was really starting to billow out now.  Little did I realise what was to come.  Ryan explained that there was a strict curfew at The Sage and that Shakedown… should be considered as the encore.   What followed was the most polite rock n roll end to a gig I’ve ever known.  Almost as soon as the tune started, the smoke machine went into full effect.  Soon, Ryan was no longer visible and before long, nor were any of the other band members.  Still playing, it wasn’t long before the whole auditorium was filled with smoke.

The set ended behind the cloud.  The lights came on.  The doors opened.  The fire alarms went off.

Attention please.  Attention please.  A fire has been reported.  Please leave the building immediately by the nearest exit.

Trust The Sage to have to most polite fire alarm in the world and what was presumably a brilliant coded message.

Can Mr Snow please report to the stage door…

I / we went home happy.  To cap it all off, I got a retweet from the man himself.    As did my friend, Laura who has been having a tough pregnancy – I think it made her year!

I always think that any performance is so much better when the artist or band are enjoying themselves.  I sense that Ryan Adams was, judging by the number of instagram posts he made about this gig.

Prisoner will be my next vinyl purchase.

Support act: Karen Elson was pretty great too.  I hadn’t heard anything of hers prior to this gig and I definitely will be listening in the future.  She made a pretty tidy contribution to the Ryan Adams set too.

IMG_0809

Present: Andrew, Ste & I were all there, but Andrew didn’t mage to get down until the headline set.

Pre-gig entertainment: Ste & I went to the Hop & Cleaver.  We weren’t too impressed with the food, but the pint of Cara Munich (brewed on site) was nice.  We followed that with a coffee at the Head of Steam while discussing record & music collecting.

 

Chase Park Festival @ Saltwell Park, Gateshead

The inclusive Chase Park Festival proves a huge success in the blazing summer sunshine

The Chase Park Festival is a one day accessible festival that I’ve now been to twice.  This year it relocated from Chase Park to Saltwell Park, retaining the Chase Park name and brand.  The Saltwell Park site was a perfect enclosed setting in the afternoon and early evening sunshine.

You can read all about this festival on their website.  I can’t recommend it highly enough, especially if you have a family (the kids loved the goodie bags from sponsors; Voyage Care & Honda and the free face painting).  The tickets were an absolute steal at less than £35 for a family of 4 (when we went in 2015 it was an astonishing £10 for a family of 4!).  If you are lucky enough to be a fan of any of the acts playing, then it’s incredible value, but if you aren’t, for that price it’s worth a punt regardless.  Two of the acts playing yesterday are two of my current favourite bands and I was able to reacquaint myself with a band I was a big fan of in the 2000’s.

The accessible aspect of the festival is what makes this unique.  There’s a huge mix of people of different abilities in a superbly organised, inclusive arena.  A second stage (band stand) demonstrated an outstanding array of talents from those who unfortunately don’t get many opportunities like this.

The pace of the music didn’t let up until the final three acts on the main stage.  Until that point, the acts on both stages alternated with barely a pause for breath, so there was no time for restlessness.

We missed the first act (Fiona King) on the second stage.  All (Percy Hedley, White Dove, The Twist) were entertaining, but the final act, The Soundbeam Band, were the pick of them for me, despite some unfortunate power cuts.

Present: I was there with my wife, Clare and our two girls; Lana & Erin.  Andrew was there with his daughter.  My brother, Mike, was there with his wife and two girls.  We set up for the afternoon and enjoyed a picnic in the sun while enjoying the music.

My daughter, Erin, has become a bit of a poster girl for the Festival’s press since we attended in 2015, with the following picture attached to virtually every article that pops up on social media feeds (just search chase park festival on google images and you’ll see):

SJR_NEC_130616ChasePark02

Drinks: Wylam Brewery provided an excellent bar and I enjoyed several Galatia during the afternoon.  My brother sampled each of their real ale offerings.  The only complaint about the bar was how busy it got after 5pm, but it’s always a tricky balance to know how busy it will be.

The bands…

James Leonard Hewitson opened the main stage with a thoroughly enjoyable set.  This was soon followed by Vito playing some good indie rock.  Alex Francis then slowed things down with a fabulous acoustic chilled out set in the blazing sunshine.  I’ll be adding Alex to my spotify playlist.  Boy Jumps Ship then turned up the volume and our kids went to the front and really enjoyed themselves (Andrew & I went for a bit of a trek to the nearest cashpoint for most of this set).

Cattle & Cane

One of my current favourite bands took the stage at around 5pm.  This is the 4th time I’ve seen them in the last 12 months and they never disappoint.  Both Lana & Erin declared them as their favourite of the day and you can’t fail to see why.  There’s a slight possibility of bias from my kids after we spotted Helen and Joe on site earlier in the day and they were kind enough to do some signings for all of our kids.  They are a band from teesside who deserve more recognition than they get.  The Poacher is always a set highlight for me, but Saviour wasn’t far behind.

Cattle & Cane Setlist Chase Park Festival 2017 2017, Mirrors

Little Comets

I’ve seen Little Comets 3 times now and they seem to be getting better each time.  I think this set just edged it as my favourite on the day.  The band seemed to be really enjoying themselves and that always seems to add something to the show.  There were loads of highlights form this set; Bridge Burn (Lana’s favourite), The Man Who Wrote Thriller, Joanna, A bientot, Dancing Song to name a few.  Another band that deserve more recognition (latest album, Worhead, deserved a higher chart placing than 83), but I’m glad I was introduced to them back in 2015.

Little Comets Setlist Chase Park Festival 2017 2017

The Coral

Headliners on the day were The Coral.  I’ve caught The Coral 5 times now, but most of these were in the early 2000’s.  I became less familiar with their albums after 4th album, Roots & Echoes, but I plan to get reacquainted after this excellent headline slot.  It was really only the middle of the set that I was unfamiliar with, but it was a good career spanning retrospective.  There were some incredible guitar solos on show here, and the crowd were heavily involved on the way to a crowd-pleasing end with Dreaming Of You.

IMG_0655IMG_0650

The Coral Setlist Chase Park Festival 2017 2017

If you’ve never been to the Chase Park Festival or have never heard of it, then it would be well worth keeping an eye out for their offering next year (fingers crossed there is one) as it’s sure to be something special.

fullsizeoutput_b810

Brian Wilson presents Pet Sounds @ Times Square, Newcastle

A special evening listening to a classic album performed in full

When it comes to writing these reviews / blogs I usually write them chronologically from the start of the event to the end.  With this one it seems only fitting that I start with the great man himself…

Brian Wilson

We booked tickets for this event as soon as they went on sale.  Ste & I had seen Brian Wilson at Glastonbury in 2005, which was a gorgeous performance in the Sunday afternoon sunshine.  This was a different prospect 12 years later.  Brian is 75 years old and it would be fair to say that his health isn’t what it once was.  To come out on a world tour is nothing short of amazing and it brings some context to the performance.  The Beach Boys always shared lead vocals amongst the group and this performance was no exception.  The band that Brian Wilson surrounded himself with were nothing short of awesome.  They brought all of the tunes to life with an array of instruments and vocals.  It was great to see Al Jardine on stage with Brian, but it was his son, Matt, who stole the show for me.  Every time he took over vocal duties it sounded amazing.  Brian’s voice isn’t what it once was, but for every slight disappointment (Don’t Talk (Put Your Head on My Shoulder)’s spoken word chorus) there was a delight (God Only Knows was very touching).

Pet Sounds is my favourite Beach Boys album (& in my top 50 albums) and Good Vibrations is one of my favourite ever songs.  This was an opportunity not to be missed.  I’m not the biggest fan of listening to lots of surf songs in a row, but all have their moments.  I never thought of myself as a band of Help Me, Rhonda, but that was honestly my highlight of the night.  The whole of Times Square seemed involved when that was played and I wouldn’t have minded if they’s extended it for repeat play.  Good Vibrations seemed oddly wanting, but there was a bit of a crowd distraction at that point (see later).

I’m almost certain I’ll never see Brian Wilson live again.  I don’t need to.  This was a special night with a man whose genius will live on through this album for centuries to come.

IMG_0240IMG_0255

Brian Wilson Setlist Live from Times Square 2017 2017, Pet Sounds 50th Anniversary World Tour: With Al Jardine and Blondie Chaplin

 

The rest…

Seasick Steve was the main support act.  I’ve seen this man perform at Glastonbury 2 or 3 times and enjoy his performances each time.  That said, I’ve never really felt compelled to listen to any of his albums.  Tonight was no exception.  It was a really enjoyable set full of “guitar” changes.  One fan had certainly listened to all of his albums…on repeat.  It was great to see a big fan be selected to go on stage with him and be given a signed LP.  Nice touch.

 

Martha & The Vandellas

Umbrella gate.  It seems astounding to me that people with eyes can’t tell that if they put up an umbrella, that no-one behind them will be able to see a thing.  Not one thing.  Fortunately umbrella gate seemed to die down for Seasick Steve and Brian Wilson as people showed more respect as the night wore on.  The other support acts didn’t have such respect shown as the rain came down steadily and heavily.  Martha’s set was not one for the likes of me.  I enjoy a track of theirs when it comes up on a compilation or on the radio, but this was 6 or 7 songs too long for me.  Other people loved it, so I won’t complain.  Martha indicated that she came to “make love to y’all” and at the age of 76 you can’t hep but admire the energy and humour that goes into this type of performance.  Her tambourine had seen better days and if I could offer any advice it might be that there was a serious infection control risk with that instrument.

 

Lanterns On The Lake

I really want to love Lanterns on the Lake.  I enjoyed their last album, Beings. I also had the pleasure of seeing them perform with the Royal Northern Sinfonia last year at The Sage. They have all of the ingredients that I’m looking for in a band.  Powerful tunes with an original sound.  However, they sometimes seem to fall short of delivering.  It must have been a difficult crowd at Times Square and they only had a short set (5 songs I think).  They were just getting the crowd going (and me going) with Through The Cellar Door and The Crawl, but then slowed things right down with the final tune to leave me wanting that rousing finish which never came.  I never envy a support act for a crowd like this. A crowd waiting for a legend. In the rain.  I suspect the next album may well be the one to truly hook me in.

IMG_0225

Lanterns on the Lake Setlist Live from Times Square 2017 2017

Cattle & Cane

It was lovely surprise to see Cattle & Cane added to this bill.  There’s probably nothing I can say about this band that I haven’t said in other blogs, but if you haven’t heard them, you really should.  The set was a perfect highlight reel of their latest album, Mirrors, with a cover and live favourite, The Poacher, thrown in for good measure.  For an independent band from Teesside to share a stage with a legend must be a very special feeling indeed.

 

Cattle & Cane Setlist Live from Times Square 2017 2017

The Lake Poets – these were up first and I can’t tell you much about them. Ste & Amy had the tickets and were running a bit late.  I watched from outside and sent sad pictures to them of me in the rain. Not to worry, it was all worth it in the end.

 

I referenced a crowd distraction earlier.  This came in the form of a drunken young lady who sidled up to Andrew and Ste and repeatedly encouraged them to dance with her. As stoic men they were having none of it. Neither was she. Not taking no for an answer, she continued to harass them until Ste told her definitively that her behaviour was unwanted and unacceptable. I was in tears with laughter stood just behind them, all the time fearing that I was her next target!  Classic.